![]() In the #2 sample above, it looks like the transform in the first node clipped the highlights. 709 LUT on a downstream node, make basic adjustment prior to that node. Set the input and set the output, and that's it.Ģ) Resolve yrgb. 709 is actually appropriate for GH5 footage:ġ) RCM or ACEs. There are two simple ways to normalize GH5 footage, assuming that panny vlog to rec. John Paines wrote:First of all, I don't understand the rationale for all the acrobatics proposed here. Oh and I do have a colour-calibrated monitor. Which seems to get the Reds of the London busses wrong to me, but is the quite similar to just using the Panasonic VLog LUT (curiously the test footage I have been using is looking towards Regent Street from Piccadilly Circus. Anyway working out where I think your dialogs came from can I describe your approaches thus (plus the LUT approach): I don't use the Betas as they usually don't like my system and it's just too high risk. Jon Leslie wrote:I only installed the 16 release this morning, so I'm having a little culture shock in places. Oh, no Red Busses for the examples, went for something a bit better known. Right mouse Button (RMB) on the node and select LUTs -> "3D LUT" -> Panasonic -> "V-Log to V-709" (I think the Panasonic V-Log LUT is included with Resolve 16? If not you'll need one, e.g. Select input Gamma to "Panasonic V-Log" Select input Color Space to "Panasonic V-Gamut" Select Nodes at top right if you can't see the Nodes box Timeline Colour Space to "Rec.709 Gamma 2.4" (for TV/Cinema somewhere dark-ish, presumably 2.2 for viewing on a computer) Which seems to get the Reds of the London Busses wrong to me, but is the quite similar to just using the Panasonic VLog LUT but with bonus added contrast (curiously the test footage I have been using is looking towards Regent Street from Piccadilly Circus. Aces Input Device Transform to No Transform Color Science to ACEScct (adds a "toe" to ACEScc to make it look more film-like) I only installed the 16 release this morning, so I'm having a little culture shock in places. Try these 2 simple ways at first if it suits you. Could people please make any additions/corrections they feel useful and suggest and other ways to do things that they think are worthwhile. The smart money says I've missed things out and made errors. ![]() Jon Leslie wrote:So I'm trying to write up using ACES with Panasonic GH5 VLog-L clips as a simple set of instructions. Select input Color Space to Panasonic V-GamutĪdd any additional nodes you want after this one. Right mouse Button (RMB) on VLog-L clips you will use and select ACES input transform to "Panasonic V35"Ĭolor (on top menu) -> Nodes -> Add Serial Nodeĭrag "Color Space Transform" onto the node Aces Output Device Transform to Rec 709 Aces Input Device Transform to ACEScct (adds a "toe" to ACEScc to make it look more film-like) Color Science to ACEScct (unless you have a preference for ACEScc) (BTW several of the Photos in this thread don't appear to me, some do but some don't, which added a complication.) So I'm trying to write up using ACES with Panasonic GH5 VLog-L clips as a simple set of instructions. ![]()
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